17c
BIG DANCE THEATER
Projection Design
With “The Diary of Samuel Pepys” as a point departure point, 17c traces its way through a Restoration Era melodrama that echos resoundingly through a contemporary #metoo lens. The tufted budior wall that serves a surface for much of the projection content is accompanied by an array of flatscreens that flank and frame the space, broadcasting indescretions for all to see.
With “The Diary of Samuel Pepys” as a point departure point, 17c traces its way through a Restoration Era melodrama that echos resoundingly through a contemporary #metoo lens. The tufted budior wall that serves a surface for much of the projection content is accompanied by an array of flatscreens that flank and frame the space, broadcasting indescretions for all to see.
Production Credits
Directed and Choreographed by Annie-B Parson
Co-Directed by Paul Lazar
Scenic Design | Joanne Howard
Costume Design | Oana Botez
Lighting Design | Joe Levasseur
Sound Design | Tei Blow
︎︎︎ Premiere: UNC Chapel Hill
︎︎︎ BAM Harvey; Old Vic, London; Philly Live Arts
︎︎︎ Photos | Maria Baranova
Directed and Choreographed by Annie-B Parson
Co-Directed by Paul Lazar
Scenic Design | Joanne Howard
Costume Design | Oana Botez
Lighting Design | Joe Levasseur
Sound Design | Tei Blow
︎︎︎ Premiere: UNC Chapel Hill
︎︎︎ BAM Harvey; Old Vic, London; Philly Live Arts
︎︎︎ Photos | Maria Baranova
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